Lushes are a band born of tensions – between art and math, order and chaos, planning and chance. You can hear it in their songs – taut, twitching art-punk that balances anxiety and elation, often within the space of a few bars. This is push-pull music, songs that temper the jagged fitfulness of groups like June of 44 and Slint with the soft-focus sweetness and open-ended song structures of The Sea & Cake and The Notwist. That moods so diametrically opposed can peacefully coexist is part of Lushes’ mystery and allure.
This duality extends to the group's background. Their personalities were different – James was outspoken and gregarious, Joel introverted and reserved. Guitarist and vocalist James Ardery grew up pillaging his father's record collection, getting turned on to Nirvana and Wu-Tang Clan by his older brother, and attending hardcore shows by pioneering bands like Fugazi at the age of 12. Drummer Joel Myers started listening to composers like Rachmaninoff and Bach from age 11 after finding classical CDs lying around the house from his father, a classically trained organist. He spent years teaching himself classical piano along with several other instruments, and only started playing drums a year before Lushes began, when he came into owning a drum kit by chance.
The fusion of their disparate influences is what animates Lushes – the anarchy of punk and hardcore colliding with the precision of a classical background to create music that is marvelously ordered while still feeling seconds away from detonation.
Releases:
Service Industry
FLT-024
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What Am I Doing
FLT-015